In 1987, Michael Caine-whose career was on a downswing-famously had to skip the Academy Awards, where he won a Best Supporting Actor Oscar for Woody Allen’s Hannah and Her Sisters, because he was on location shooting Jaws: The Revenge.
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Especially when you consider the plotline: that the shark is essentially a serial killer with a taste for the Brody family, and swims all the way from Amity Island to the Bahamas to finish off its last remaining members. Though some (read: this author) consider it a guilty pleasure, the film is, well, pretty damn awful. By the time the fourth film, Jaws: The Revenge, rolled around, even the very obviously fake-looking shark couldn’t be bothered. When Jaws 2 was released three years after Steven Spielberg’s groundbreaking summer blockbuster, nobody went into the theater thinking it would be able to even come close to the original. Or, in the words of The Wrap’s Tim Appelo, it’s “One of those rare films so unfathomably ghastly you could write a better one while sitting through its interminable 110 minutes.” 4. While not necessarily poorly made, the film-which stars Gérard Depardieu, Sam Neill, and Tim Roth-is propaganda at its most obvious (which isn't surprising, considering 90 percent of its production budget came directly from FIFA).
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Unfortunately, the timing of this movie could not have been worse, or more intentional: At the same the movie was playing film festivals and art-house theaters, 16 FIFA officials were being indicted on charges of racketeering, money laundering, and wire fraud, following decades of alleged corruption wherein they used the organization to line their own pockets. If Leni Riefenstahl were alive today, she probably would have been the first choice to direct United Passions, a cinematic retelling of how the Fédération Internationale de Football Association (FIFA) came to be. Club’s Nathan Rabin articulated what most people were thinking when he wrote, “Why? Seriously, why? Why would anyone make a sequel to Baby Geniuses, a 1999 film whose existence, from its title on down, appeared to be a cruel joke about the gullibility of the lowest common denominator? It would be easy to say that the answer has more to do with commerce than art, but it's probably a mistake to factor art into the equation at all.” 3. And it was all kind of creepy (or, according to The Wall Street Journal, “unspeakably ghastly”). Superbabies: Baby Geniuses 2 saw a gaggle of talking toddlers banding together to rid the world of an evildoer intent on controlling the minds of the entire human population. While hardly a box office behemoth with its $36 million haul, the film (which was shot for $12 million) made enough of a profit that, five years later, we got a sequel.
Just when we thought the ‘90s had offered up its final talking baby movie with 1993’s Look Who’s Talking Now, along came Baby Geniuses (1999).
(Audiences were only slightly more forgiving with their 17 percent rating.) “For many viewers,” wrote AP critic Jocelyn Noveck in her review of the film, “the big question may be not whether Ecks and Sever will get together, or why they are fighting in the first place, but why am I sitting here, anyway?" 2.
Though it’s certainly not the only film to earn a zero percent rating on the Rotten Tomatoes Tomatometer, it’s one of the few films to maintain a nothing score after more than 115 critical reviews. I even got a couple of directing offers, but I simply didn't have an interest." I still did take meetings after just signing with CAA and they were doing a great job of sending me out and getting me to meet execs. “The experience I went through in post-production on that movie was very painful. “For the first two years after Ballistic, I couldn't really bring myself to do movies,” the director told Film Combat Syndicate. In 2014, Kaosayananda admitted that the experience of making this bomb turned him off to the idea of moviemaking altogether. But if you look at the film's credits, you’ll see that it was directed by “Kaos,” which could be a nickname-or a statement on the production itself.
Sever, the clunky action sci-fi film that starred Antonio Banderas and Lucy Liu as two former government agents each trying to get their hands on what is supposedly the world’s most dangerous weapon. Only once did he ever choose to use a pseudonym. Thai director Wych Kaosayananda has directed five feature films.